
I’m all up for free music, and so as soon as I was told about Bojcot Selectah’s U Know EP, I made a point of grabbing it right away.
I’d suggest you do the same. Immediately!

I’m all up for free music, and so as soon as I was told about Bojcot Selectah’s U Know EP, I made a point of grabbing it right away.
I’d suggest you do the same. Immediately!

Mr Wesley has certainly been busy since we last featured him on SittingOvation. With a number of other releases out on Arctic Dub he’s been working hard to bring us all that sweet dub-ambient and dub-techo sound.
His latest EP “Merkaba Sessions Alpha” is available on Bandcamp right now, and I have to say I’m still as impressed now as I was a year back when I first came across his stuff.
I suggest you take a trip over to his Bandcamp page now and check out his latest offerings!

Bringing his unique variation of percussion-smattered twisted melodic elements and deep basslines, Autopilot delivers a cracking new EP called “The Idealist”
It’s a “pay what you like” affair – with no minimum purchase, so it’s just on your conscience to hook the guy up with some sheets!
The highlight for me was “The End” with it’s hypnotic bassdrum, punching through the track, but all of the tracks are well produced and enjoyable in their own respect. As a package, this manages to highlight the Philadelphia based producer’s range of talent. If Autopilot isn’t a household name (in the dubstep world) by the end of this year, I’ll eat my hat. And his hat. And your hat too.
Muted piano chords, a delicate minimal beat and a subtle bassline. “Exile” is a quietly self-assured track which is given the re-work treatment on the new “Exile EP” from Forensics.
The original “Exile” track is on there, but the real treat is the vocal version which features Indi Kaur. Her choral articulations sitting beautifully over the track, as if they had been intended from the word go.
There are two other remixes on the EP.
The first by “Phaeleh” is a bleak wintery soundscape of synths, clicks and well crafted beats, as well as a melodious line which adds to the atmosphere.
The second is from “Not In My Name” which is apparently maestro Threnody and some cohorts. Their orchestral, stuttering and more synth-line driven re-work managed to shed new light on the melody as well as provide something seemingly more upbeat than the other pieces on the EP.
The Exile EP is a fantastic example of Forensics’ ability to not only craft a track from a small number of stems, but also to bring together an EP of such wealth from just a few producers.
Currently the EP is exclusive to Digital-tunes – but you can always find out more from the man himself.
I’m not going to make a big thing of this, because I have done elsewhere – so I’ll just gently nudge you in the direction of the promo site – and hope that you’ve got the sense to do yourself a favour and take a listen!!