SittingOvation

Archive for February, 2009

The Polish Cartel – Lowfreq Poland [Apparition Recordings]

Friday, February 27th, 2009

We’ve had Bay Area Dubstep, The Romanian Eesti Dubstep, French Dub System, Mary Anne Hobbs’ Bristol Showcase, Her visit to the West Coast of the US, and no doubt numerous other compilations from various places in the world. Well it’s time for Poland to step up, and give us what they’ve got. ‘Us’, meaning the rest of the world, and ‘what they’ve got’ meaning – a brilliant selection of producers.

lowfreq2

Lowfreq Poland, is an 11 track release on Apparition Recordings, featuring exclusively Polish producers (as far as I know). I’m not going to review every track on offer here, but I’d like to highlight one or two of the best.

FusionArt presents a beautiful spacial track called “Wind Up” , where percussion, shakers and chimes all collectively work together to bring us something far great er than the sum of its parts.

Hansollo’s “Victory Over Babylon” takes the reggae side of things, but beefs it up with a large slab of wub. I think this is one of the stand out tracks in terms of production value – there’s a really crafted sound to this one. I normally shy away from the overly reggae influenced tracks, but this one has staying power for me.

Kaosbreed’s wonderfully inspired “The Bell” rings true with the sound of strong techno influences, much like Playing Heads’ “Less Cocaine” and Paranoises “Sleepless Shadows” which not only takes techno influences, but works in wonderful film-like samples, a growling bass and some excellent percussion work.

Substacja’s “The True King” has some inspired head-nodding moments, verging on the neo-garagey goodness of the likes of 2562 or Martyn, but for me – the highlight here is SUbstep Infrabasses “The Unstoppable”.

The Unstoppable seems to be a manifesto for this wonderful collection fo producers. Clearly they’re all on a mission to have Poland recognised on the dubstep map – and what better track to lead the way than this. Incredibly filthy bass-work, that the likes of Skream or Benga would be proud to slay a crowd with, alongside sublime techno stabs that really round-off the top end of the sound. A smidgeon more weight on the snare is my only criticism, and it’s a small one at that.

All in all – I’d say at least give this a chance. There’s some real gems on here, and there’s bound to be something for most people. I’d normally have not bothered, but I’m glad I took the time to check this out, as it’s more than just a try-hard stab in the dark. Far more.

Lowfreq Poland will be available excuslively on Beatport from 12th March – be sure and find out more on the MySpace

Biodub

Monday, February 23rd, 2009

I’ve been sitting here getting lost in Biodub‘s music, and I had to take a moment to post about it.

From the previous post’s Berlin home of Quantec, east to Hanover, where we find Biodub. whos beats are ever so slightly heavier and more driving – but the warm, soothing waves of synthey goodness are still flowing. Not just that, but his tracks have these great little chord stabs as well as the occasional elaborate percussive textures.

I stumbled across Biodub purely by accident, although it turns out he’s also been featured ont he ‘Depth Perceptions’ release I had mentioned in my last post (Quantec).

I urge you to check his stuff out. If you’re in to your dub-techno – Biodub won’t disappoint.

Quantec AKA Sven Schienhammer

Thursday, February 19th, 2009

It’s about time I mentioned Sven. Partly because he was the catalyst for my exporation of dub-techno, and partly because he has such a wealth of great material, that it would be unfair to leave it any longer.

I can’t quite remember when I came across Quantec – but I do remember instantly falling in love with the sounds he uses. I distinctly remember listening to a number of tracks, and just getting completely lost in the ebbing waves of dub-chords, while the soft bassdrum pushed out a gorgeous 4-4 beat underneath. His production is simply incredible. He crafts his deep, sweeping bottmless tracks from his base of operations in Berlin, so there’s a fairly clear link to the influence of the likes of Basic Channel, but it’s not that simple. His work is so much deeper, and carries less pounding in-your-face type vibes, replacing them with tripped-out journeys through the music.

The first place I reccomend starting is his CD album “Unusual Signs” available on Echocord. This was my first stop after discovering his work – and I can say without fail that I was not disappointed. Boomkat say “[this album is] some deadly and affected gear which we urge you to give a chance sometime soon, especially if you’re a follower of the Deepchord/Basic Channel school of dub reduction.”

Sven Schienhammer, to give him his full name, it would seem is very highly regarded within the dub-techno scene. He has seen releases on Echocord, Styrax Leaves, Meanwhile, Millions of Moments and Francois K’s WaveTec sublabel not to mention forthcomings on Aesthetic Audio Detroit, Pong musiq, snapshot, Ottagono, statik entertainment, !K7, deep space media and On The Edge. His back catalog spans vinyl and CD release, with gems appearing on rarities such as “Depth Perceptions Vol. 1” from the elusive Pronounce label. As well as these releases, he shares a vinyl or two with Deepchord’s Rod Modell for remix duties for Arron Carl, and has remixed the likes of Boozoo Bajou, Brendon Moeller, Schwanbeck, Infiniti and DFRNT, not to mention had his work remixed by the likes of A Made Up Sound (AKA 2562).

I suggest you check Quantec on MySpace for some tracks (including his new DFRNT remix), His Website for more information and Discogs for a great starting point on his back catalogue.